Natvre’s – Wrath

(Self-Released / Clean Head Productions, 2015)

Natvre’s from Thessaloniki (Greece) are a three-piece made of members not “publicly” familiar from earlier projects (at least according to Metal Archives), formed in 2014, this full-length being their first release. And what a strong first release it is.

As is the case with many of the more interesting newcomers, Natvre’s has decided to perform a style of Black Metal which takes a lot from the old-school vibes of the nineties, and fuse it with other (often a bit more interesting?) elements, such as good old Punk Rock and other more Avantgardish and Abstract styles of music. And the fusion works extremely well.

The album gets straight into business with the opening track “Lazarines”, introducing eerie tremolo and picking riffs reminding me of classic Thorns and Mayhem, mixed with more straightforward Rocking Punk riffs and vibes (and partly Darkthronish and Burzumish or even Aura Noirish attitudes if you will, besides the more Avantgarde atmospheres, as the album progresses). To the end of the song we get some blast-beats as well, reminding us of the Black backgrounds of the music in general. The vocals (with their heavy distortion) bring to my mind a more groovier version of Aldrahn in “Satanic Art”, with the same amount of passion and madness. The whole thing is put through filters of extreme weight (being heavy and hard-hitting as fuck) and razor-sharp Blackened violence.

The next seven songs offer the same stuff (with an exemption of a more obscure long instrumental guitar-driven song in the middle of the album), with more variation in the drum-beats and some vocal-parts, while the riffs stay pretty much the same. What makes this album so cool, is the right amount of new more “artistic” and just plain imaginative tricks up the sleeves of whoever has composed and arranged these songs, of new styles and ways to present this Art, while keeping the overall feeling of the album similar throughout the whole shredding journey.

Altho the basses and guitars, the drums, and the vocals are all recorded at three different studios, the main mixing has brought all the elements in prefect (dis)harmony. The bass-drums pound like fists, while the balance of warmth and heaviness, coldness and sharpness created by the basses and guitars merge splendidly with the insane yet Rocking Blackened vocals.

This release offers basically nothing new under any suns, but still manages to give about 45 mins of something genuinely fresh and cool to the intelligent and open-minded fan of different musical styles, with main emphasis of course in Black fucking Metal. This highly recommended album is released as a digipack by the band (with the help of Clean Head Productions).

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